Light trail

The Christmas break this year gave me the opportunity to play around a bit with long exposure shots. The bottle picture on the right is the best of my experiments, and is a single 20 second exposure with minimal post-processing. The set-up was easy – just an empty bottle of wine, a darkened room, a blue wooden table, a tripod, and a blue LED penlight.

The idea was that once the shutter opened, I would move the penlight torch around the bottle in what would hopefully be a spiral shape. The movement produces the bright light trail, but also leaves enough light to illuminate the base and some of the bottle – in particular the label.

The trickiest part of the setting up is to determine the focus point. You can’t use the camera’s automatic focus as there is not enough light in the scene for the auto-focus system to work. While you could just switch to manual mode, on the basic SLR I used – a Canon EOS 350D – manual focusing aides are a bit limited. Instead I switched the main room light on, used the camera’s auto-focus to pick out the bottle, and then switched the lens to manual focus mode, being careful not to disturb the lens at all. I then killed the lights to start the shoot.

The next challenge is to determine good settings for aperture and shutter speed. This really is just down to trial and error. I decided upon f11 to try and retain a decent depth of field as the light circled the bottle. For the shutter speed, the main factor is how much time you need to move the torch through the air, while still leaving enough light to pick up the bottle. I also set the camera ISO to its lowest value of 100 to minimise image noise. Finally, setting the image type to RAW gave me more post processing control should I need it.

While the final 20 second image won’t win any competitions, I think it is quite cool. In fact, the blue enhances this! The photo has very little post processing applied to it – just a slight exposure tweak on the RAW file to brighten it up a fraction. But the experiment has given me some ideas to work on. For example, I would like to get a more symmetric light path as doing it by hand gave very wobbly and irregular results. But to do this I think I need to rig up some kind of pendulum for the light, and a smooth way of raising it up during the exposure. I also may try placing the bottle in a water-filled tray to see what reflection effects I can make.

As part of the same photo session I took this photo of our Christmas tree. Again, I turned out all the room lights, leaving just the tree lights on as point light sources. I wanted to experiment with the effect of different apertures on long exposures.

This photo is using an aperture of f22 and a 30 second exposure time. I think the starbust effect on the lights is really effective, and is an artifact of the narrow aperture and the interaction with the optics within the lens.

The next image shows the difference between f11 and f22 on the same light. The narrower aperture really sharpens up the starburst effect. This effect is really worth considering when you are out and about taking night shots.

f11 vs f22

Shooting dark scenes with long exposures is certainly an interesting little photography project. In addition to trying to get nice photos, the need to switch to manual mode has the added benefit of really helping you to learn the subtle workings of your camera. Despite all the automatic modes that modern digital SLR’s provide, sometimes it is good to get back to basics and control everything yourself. Otherwise, why buy an SLR in the first place?

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Peak District exposure blend

Following on from my previous post “Something from nothing“, this image uses a different technique to blend an overexposed sky with a detailed foreground. I nearly called it “Something a bit better from a little bit more”. This post is shorter than the earlier article, and hopefully less coma-inducing as a result.

The photo was taken from Heggar Tor in the Derbyshire Peak District last April in the early evening. This time I had the benefit of my Canon EOS 350D digital SLR, and captured in RAW format, which gives much more to play with in post processing. I also used slightly different software – Photoshop Elements 5 (or possibly 6 – I forget when I upgraded). The editing process still uses layers, but this time rather than overlay them using masks, combines them using blend modes.

The resulting image won’t win any prizes, but I rather like it. It may not be too obvious from the small image here, but if you click on the above image and select the larger version (via the “All sizes” button) you should be able to see some of the fine detail of the rocks and lichen.

Original photo before post-processing

This time I deliberately chose my exposure to pick out all the detail. Since the direction of the view was towards the sun – albeit obscured in cloud – the sky suffers white-out.

Once I downloaded to my PC, I used Adobe RAW editor to save a version with the exposure cranked right down. This had the effect of bringing out the details in the clouds, and creating a brighter area where the sun is.

The three layers used here

In Photoshop I used this as a background layer, and then pasted in the image at the original as-shot exposure into a second layer. This is “Layer 1″ in the screenshot. The blend mode was set to “Color Dodge” (yes, I know, American spelling….).

“Dodging and burning” are traditional photographic darkroom techniques for selectively over or under exposing parts of an image, and is something that digital processing has made much easier. No more subdued red lights in the understair cupboard, and shouting at the wife when she opens the door to ask what you want for tea just as you expose the photo paper. But I digress..

The effect of this mode is to make the picture lighter using the top layer to dodge the bottom layer. I also painted out the top of the picture using a semi-transparent brush to help pick out the midground, and thus restrict the region of the dodge.

The top layer also had a the top painted out, but not all the same parts as the previous one. All I did was to draw free hand over these layers to wipe out and blend bits until I liked the overall mix. I set the blend mode to “Screen” which – wait for it – multiplies the inverse of the top layer colour components with the bottom layer, and produces a much lighter image that retains all the fine detail.

And finally, all three together produced the first image of this post.

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This image came out of nothing, and I’m not sure if it is cheating or not. With a pretty poor original photo (see below) I changed the colours, messed with the contrast,  blended different parts together and airbrushed out some bits that were spoiling the shot. Which got me to thinking: at what point does photo enhancement fake things too much in an attempt make up for poor camera technique?

Here I describe how I put this image together from an original low quality shot. If nothing else it may help people who want to do similar things using their photo editor. I’ll leave it to the reader to judge whether I should have just taken a better picture to start with.

After Christmas I was out walking in Derbyshire with the family. I only had my Digital Ixus 500 (aka Powershot S500) point-and-shoot compact digital with me. It is several years old now, has a modest 5 megapixel sensor, and has been battered around somewhat. So while not brilliant by today’s standards, it is solid and fits into the pocket nicely and I have taken a number of good photos with it. It only has JPEG options – no RAW, uncompressed TIF etc, so the quality you get out is very much dictated by the on-camera image compression.

While walking I was rather struck by the shafts of light streaming down from the clouds in the distance. “Mmmm, great God rays…”, I thought, and took this picture.

The original out-of-the-camera picture as a JPEG

The metering on the camera was obviously struggling a bit here – the light shafts were pretty bright but the trees and building in the mid-ground really darken up and lose detail. If I had used my SLR, I could have really thought about the best place to meter from, and got a much better original. But that day I did not have the choice. When I uploaded the image onto my computer, I also noticed the telephone wires impinging on the clouds. Since the death of my PC with my favourite Photoshop Elements 6 software on it, my challenge was to use an old version of Photoshop CS I had on an old laptop to see what I could recover. While I had done this kind of thing occasionally using RAW images from my DSLR, I was not massively confident of getting decent results given the image was already a JPEG.

One approach you can take is to use tools like dodge & burn, clone stamping, contrast and colour adjustments on the original. For example I could use a cloning brush to get rid of the wires, then boost the brightness of just the bottom half, and bring it down for the top half. Finally, if I wanted a black and while final result I would either reduce the saturation to zero or use a conversion filter.  But each time you do an operation you lose some of the original information – and once its gone its gone. The practical consequence is you have to get each stage exactly right before moving onto the next. The opportunity for fine tuning is limited.

Layers used in this exercise

This is where layers come in. You can work on each stage independently, and then go back and forth making adjustments to the picture as a whole, without losing any original information at all. While I did this in Photoshop CS1, you could equally well do the same thing using the free open-source GIMP tool. If you are on a budget, then I would recommend having a look at GIMP.

The first step was to make a copy of the background (the original image) so I could wipe out the wires without destroying the original. While I could have just repaired the original image, I’m such a klutz on the mouse sometimes that I clone-stamp the wrong bits, and Undo will only get you so far. But the main reason for copying the background – and then freezing it against change – is that it makes it easy to refer back to the original while making other changes.

Image after telephone wires were airbrushed out

The next job was to get the foreground looking a bit brighter, and pick out the details of the mid-ground. Again, to preserve the original, I just created an “adjustment-layer” (in PS-speak). There are a few tools to choose from, but I used the Curves adjuster for fine control. The problem is that increasing the brightness on the image as a whole wipes out the cloud detail, and completely destroys the light-shafts. A feature of adjustment layers, however, is that you can mask the effects to just particular areas. So all I did was to paint a mask over the top half – fading out around the horizon.

Foreground brightened up and contrast fixed

To get the clouds looking a bit more dramatic, and also enhance the light shafts a bit, I created another Curves adjustment layer, copied the mask from the previous layer, and inverted it so it affects the top half.

After sky area enhancement

I could have left things there – it’s quite a dramatic image with a lot of colour. But just for the heck of it I thought I would see what it looks like with less colour saturation. Again, the non-destructive way was to use an adjustment layer where I took saturation down to zero to get rid of all colour. The final result is the top image of this post.

So is this a cheat? The original naked-eye image was rather spectacular but I would have to admit that the last full colour post-processed image probably exaggerates things a bit. I think that may be why the final black and white works better. Although looking at it again now I think there is room for further detailed adjustment to really pick out the trees on the right.

If nothing else, however, I think it is a legitimate exercise to try and inject some of the drama and vibrancy that you see with the naked eye and which cannot be picked up easily due to limitations of cameras (and their users!). I suppose the only other choice is to throw away the original image and pretend you never took it. Given the choice between this and at least attempting to capture the something that made you take the photo in the first place, enhancement can be justified.

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As you can see in the next picture, he got quite enthusiastic!

If you click on any of the images you will be taken to the original picture on my Flickr site, and from there browse all the exposure and timing information. Both images are slightly cropped, but are otherwise unretouched.

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About a year ago I wrote about the Photosynth technology from Microsoft that creates 3D spaces from collections of photographs. At the time it only worked with a few sample data sets created by Microsoft, but there was a very nice demo to download and it was a pretty exciting piece of tech. Just a few days ago Microsoft released a full version that allows you to create your own “photosynths” by uploading collections of photos.

I just had to have a go. The image above shows a screen-grab of the Photosynth viewer with some data that I took.

Read on for more on the new release, how I got on with it, videos and links to the 3D scenes that I created.

It may be worth reading my original posting for a description of what Photosynth does, but in a nutshell it attempts to make a 3D spatial model by matching up lots of photos of the same subject taken from different viewpoints. What Microsoft has just released is a new version that can take your own photos, a website to host these, and plugins for Internet Explorer and Firefox to view the scenes in 3D. You get all you need from photosynth.net.

When you get to this site you get three things:

1. A plugin for your web browser just for viewing photosynths.
2. An application to install on your computer that will process and upload your own photos to create a photosynth.
3. A brief “how-to” guide in PDF form that tells you how to go about taking photos to make good photosynths. There is an online video too, but to date I have not watched it.

The first two are wrapped up in the same installation packet. You will need a WindowsLive ID or MSN Messenger account to use the latter, but you don’t need to create an account if you just want to view other people’s work. Also note that the application and, I think, the viewing plugins are Windows only so Mac users are out of luck.

If you have had the earlier demo version of the viewer installed on your machine, then either uninstall or disable the original plugin. In Firefox I had the problem that it failed to recognise I had the viewer installed, and I think it was getting confused with the two plugins there. Once I disabled the old one everything worked fine.

Browse the existing photosynths to get a good feeling for it – I would recommend only choosing those that have been marked at or near “100% synthy”. If not, then things look very boring indeed. The user interface is quite intuitive, and you certainly don’t need to read a manual to use the basic navigation features.

I went out to our local church that this weekend was having its annual Flower Festival. This gave me the opportunity to wander around both inside and outside snapping away lots of shots to use with Photosynth. The following video shows the results when uploaded and processed by Photosynth, and put into “play” mode (which moves the viewpoint around the scene between camera viewpoints).

The scene was reconstructed fom just 35 photos. It was incredibly easy to do – just point the Photosynth application at the images, press “upload”, and then wait. Once complete you are given the option of viewing the result immediately in your browser. Part way through the video I used the “p” key option to toggle the display of the point cloud that Photosythc has calculated that represents the 3D information extracted from the photos. Normally this is obscured as the photos are shown by default, but as you can see it has done a fine job of picking out the shape of the church building. The following two stills show the default scene, and then with point cloud display turned on.

Of course, viewing this as a video does not do Photosynth justice. Once you have the viewer installed, then jump straight to this dataset using this link (note, will open in new window/tab).

And the final bit of niceness is that you can also geo-locate your photosynth from within the viewer, assuming you are logged in as the creator of the scene. This uses Virtual Earth as its back-end, and is very easy to do.

Taking photos to make nice 3D spaces is pretty straghtforward – the short guide on the Photosynth website is worth a read. The main rule is to ensure lots of overlap between images, as this gives the software something to use to help work out areas of similarity. For the church shoots I just wandered around with my digital SLR on medium resolution mode (2.4k x 1.6k pixels) and storing as JPEG. There is really no point in using RAW for this, and picking a lower resolution image saves on upload time. I think even the res I used is higher than is needed.

I also took about 30 interior shots, and I was very pleased with the results. The video below shows it running live. You can also see the actual Photosynth at this link here.

The videos were captured using the excellent free CamStudio application.

Summary

I think Photosynth is quite simply awesome. I highly recommend at least viewing some of the content created using the system. And creating them yourself is so easy you may as well have a go.

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Setting off, 5pm Friday

In this second article on my recent 3 Peaks challenge I describe the hikes themselves and the transits between the mountains. See Part One for a description of the challenge.

My personal times were:

So as you can see I did succeed and completed it – I got to the top of Snowdon in a shade over 23 hours. I was a little disappointed not to get down again within 24 hours, but as you will discover when you read the account of each mountain, I just count myself lucky to have even finished at all, irrespective of times.

Ben Nevis

A small handful of our party set off before 5pm as their personal targets were simply to complete all three climbs and not worry about the time factor. The rest of us set off at five on the dot as seen in the photo at the top – I’m in the green coat on the right of the picture. Yes, the short hairy legs are mine.

Given the amount of training I had done I was a little surprised that after only about 300 metres or so I was at the back of the column. Maybe it was down to being somewhat restricted in the leg-length department. Rather than going hare-arsing after everyone, however, I decided to continue at the pace I had been training at. Sure enough, after a mile where the slope really starts, I was starting to go past my colleagues who had set off so quickly. Early on I delayered too, which helped a lot as you really work up a sweat on the initial climb. By the time I had gone about 3 miles I think I was in the middle of the pack.

I’ve used Path Profiler in Google Maps to give a rough idea as to the slopes on the route walked. Note the distance reported is on the low side as I cut a lot of corners when tracing the route for the profiler. It would be useful if you could pick on a path already in a map rather than having to trace it out again. To make it readable you may have to click on the image.

Some of the guys were quite serious racing snakes. Ian – my brother in law -was planning on running all three peaks, and another three were speed walking up and hoping to jog down.

Originally I was thinking that I could be snapping photos all the time on the walk, but the pressure of racing against the clock, along with not wanting to concede a place in the order we got back to the cars, meant that it was really hard to justify turning the walk into a photography expedition. Even so, I did manage to grab a few pictures.

Looking back down Glen Nevis

Into the cloud

Looking up you can see some figures against the cloud that hung over the peak. I had decided to take my Canon SLR with me in a weatherproof bag (see Snowdon for more info), and so stopping, putting down walking sticks, unpacking the camera, and lining up a shot could take precious time. In hindsight I think I would have been better of with a small pocket camera like my Ixus.

Top of Ben Nevis

After about 3 or 4 miles, the rest of the way was in cloud and so the view was not that great. Eventually after 2hrs 50 mins I got to the top. Here you can see me with some of the guys who got there shortly after I did. It was pretty cold at the top. Apparently earlier on someone – not one of my crowd – had stripped off and danced naked around the top. Mad sod.

Just below the summit was some quite deep snow that you had to go through. I took this picture as I descended.

I think what Ben Nevis did illustrate is that even though you are walking in mid-summer, where the weather is nice and balmy at the bottom, conditions on the mountain can be very different and can change in just a few minutes. You really do need to walk with good kit. Hopefully if you get nice weather you won’t need it, but if you don’t it will save you a load of pain and discomfort.

Ben Nevis descent, 8-15pm

As I got below the snowline, the clouds cleared briefly just enough to see the sun glint off the loch and reveal the rocky ground that we were on. This was taken at 8-15pm.

Finally after another twenty minutes – about a mile – I got below the cloud base as you can see in this next picture.

Ben Nevis descent, just below the clouds

(Note: click on any of these images for a larger version).

By this time I was feeling pretty good. Not tired at all, in the middle of the pack and making good time. About half way down the track becomes quite smooth for a while so I decided to jog that bit. But after a couple of hundred yards I decided to just walk as normal, really thinking that I did not want to risk screwing myself up when I would not be really changing my finish order enough to leap into an earlier car. None of my training had involved running on the mountain, and now did not seem the right time to start!

On the lower part of the mountain there is quite a steep descent down stone steps. It was here that I first started to get twinges in my left knee. By the time I got to the bottom I was in a lot of pain most times I took a step. It slowed me down quite a lot. However, I just gritted my teeth and ignored it until I got to the bottom where took a couple of Ibuprofen, stuck a tubigrip bandage on it, and got myself sorted for the drive.

I had got down in time to be in the third car – the first two with the fast guys had already left. By the time we were ready to go it was gone 10-30pm. This half hour turnaround was really quite slow, and was mainly due to sorting out hot food. It must have seemed a long wait for the first of the guys in my car who had got down at least 20 minutes earlier than I.

Drive to Scafell Pike

On pulling out of the car park at Ben Nevis we discovered a slight problem. Our driver Paul had forgotten the lesson learned only 10 hours before about filling up with fuel when you get the chance, and we only had a partial tank of fuel. The trip computer was saying we had enough for around a hundred miles or so. By this time, there were no garages open in Fort William, and it was touch and go whether it would get us to Glasgow.

So we had to hope the garages marked on Paul’s TomTom Satnav between us and Glasgow would be open at the dead of night. In the meantime, he drove with economy in mind. For us poor passengers it meant no aircon, or any other non-essential gadget. The drive immediately south of Fort William was spooky – the local deer graze right up to the edge of the road and all you see is a glimpse of antler in the headlights as you zoom by. There was a real risk of a collision with these animals.

We passed a garage identified on TomTom, but it was closed. As we got to the Glasgow turn, we were further dismayed to see the road was closed overnight for maintainance. So now we needed to divert via Stirling. At this point Paul certainly started to earn his Prius Eco-Badge, as he made use of every drop of fuel and every slight hill to squeeze every mile we could out of a now dangerously low tank. If we ran out here – in the middle of Scotland at gone midnight – our challenge would be over.

Finally, with the car running on fumes and prayers, we coasted into a service station on the outskirts of Stirling. Phew!

The rest of the drive to Wastwater at the base of Scafell was uneventful after that, and us five walkers managed to get at least a little sleep even if it was fitful. I was sitting in the middle at the back which did allow me to stretch my leg a bit an ease the pain. I was, however, starting to get worried. We arrived at about 4-15am.

Wastwater, base of Scafell

Scafell Pike

We managed to get going in pretty quick time. Just 15 minutes to get parked, changed, watered up, and on our way. Looking up the trail you could make out the torches of a few other walkers who were already going before sunrise.

Here is the path profile for Scafell. See notes on the Ben Nevis one above for more information.

By the time I was half way up I was in real trouble. Despite walking with care and my sticks, every step was agony to my left knee – it felt like swollen ligaments or tendons, rather than muscle pain.  Three of the guys in my car had zoomed on ahead, with a fourth going slowly just ahead of me but gradually pulling away. By this time I was seriously thinking that I may have to give up.

Luckily about this time I spotted our club doctor, Adam, coming back down. Thankfully he was one of the racing snakes in the first car who had got there about an hour before us. I asked if he had anything to ease the pain and, after a series of questions grilling me on my medical history, he pulled out some pills from his bag and issued some dire warnings about how long to leave it before a second dosage. I swallowed the pills, and carried on up. After just a few minutes the edge had come off the pain, and if I took extra care on my foot position on each step the pain was more bearable. I was still moving a bit slowly, but at least I was going.

Myself and team mates at top of Scafell Pike

My fellow passengers were pleasantly surprised to see me at the top – they had only been there a few minutes. I thought I would be a long way behind, but the steep climb of Scafell is a great leveler of pace, I guess. I think that also my fitness may have paid off as, despite the pain of walking, I never felt the need to stop and rest. Score one for my training regime!

The rocky summit of Scafell Pike around 6am.

Anyway, time for a quick photo or two, and then back down. This one was looking from the top towards the recently risen Sun.

I took extra care on the way down as I was mindul that is when the knees can really start to go. Part way down IanD – the first of the guys from the next car behind us – came pounding up the hill and looked to be a man on a mission. I carried on down, the pain getting better and my pace gradually increasing. By this time the first three from my car were out of sight, with the fourth gradually easing ahead of me. About half a mile or so to go I looked behind me to see IanD really going for it on his way back down. He’s a lanky sod, and the length of his legs was a real advantage to him as he caught me up. As he passed me all I could think was “Bastard! That’s my place in the third car gone….”.

Not too long after, I surprised the rest of my car by striding back to base – the drugs had kicked in big time by now. I was fully expecting to have to wait around now for the rest of car four to get down the hill as IanD had passed both me and one other from car three on his mad descent. Much to my surprise, however, he declined swapping cars as the fourth vehicle was our big BA Baracas ‘A-Team’ van and he could stretch out in the back to sleep. Fantastic, I thought.

Little was IanD to know that his decision meant that his attempt on the Three Peaks Challenge was at an end.

Transit from Scafell to Snowdon

We had a pretty quick turnaround at the bottom of Scafell – I was determined to get a shift-on before IanD changed his mind! As we left, Paul our driver made a great decision that probably affected whether any of us would make it up Snowdon in 24 hours. Rather than follow the organiser’s route out of the Lake District that, on the map, looked the shortest, he simply followed the Satnav that took us out a longer way, but on better roads.

The route most of the other cars followed was to go out through Wrynose Pass. While fantastically beautiful, it is on very steep and narrow roads and the ‘A-Team’ van, in particular, later had real trouble negotiating it. The route we followed was the same as the one I used the previous week when I went up Scafell as a practice run, and dropped out through Wasdale, down to Ulpha, and picked up the A595 that eventually gets you back on the M6 near Woodhouse. Definitely the best route.

We had a straightforward trip, although with hitting the road about 9am we started to get the weekend traffic.  As we got near Wales, the weather turned pretty wet, and the outlook was it would get worse. After about four and a half hours we turned into the car park of Pen-y-Pass at around 1-30pm. We knew that the chances of getting up and back by 5pm were pretty much gone, but we should be able to meet the Challenge target of getting to the top within 24 hours.

Mount Snowdon

As we got ready to go, the rain was not too bad. The next photo shows me just changed and within a minute or so from setting off. For the first time on this challenge I put by waterproof trousers on – boy did I need them!

Raring to go up Snowdon

The five of us headed off at 1-45pm. My knee by now was slowing me down a bit from my normal pace, and after about ten minutes myself and another of the guys, George, who was really starting to suffer with his knees decided to go at our own speed and let the other three go ahead.

Our route was the Miner’s track. This starts off flat for a few miles, continues up a reasonable bit of slope, and then hits a very steep climb of over 400 meters elevation. Here is the path profile for Scafell. See notes on the Ben Nevis one above for more information.

Soon after clearing the car park the rain and wind really started in anger. George’s water proof cover for his rucksack was continually blown off, and I was thankful for having good quality outer layers and a hood that kept my thermal hat on.

The point on the Miners Track where you turn a corner onto the last lake to look up at the start of the 500m steep climb was a real decision point. Winds by this time were gusting over 50mph (as we later found out), and rain was continuous. Light was starting to go.  We both decided to just go for it – I was not too worried about getting up, but the descent later in ever worsening conditions was real concern for me as we started the climb.

Partway up we met a couple of the guys from the second car, who warned us that things were getting bad. They later confessed that after seeing the pair of us they were certain we would not make it to the top. Further up the wind was getting stronger. At one point as I was mid-step across a gap a large gust of wind caught me off balance and I was knocked over. Bit of a brown trouser moment, but I was unhurt and after that a bit more careful. The same thing was to happen a couple more times while on the way back down.

On Snowdon ridge. It's a bit wet.

The rubbish conditions mean that my camera was kept in its bag – I was genuinely fearful that even the bag I had would not be sufficient to keep the water out, given the driving rain. Finally, as we got to the main ridge, I decided that I simply had to take a photo and was relieved that it was bone dry. Here’s where the steep part of the climb ends and you start to walk the final ten minutes or so up the ridge to the summit.

I quickly stuffed the camera back into its bag. A couple of minutes later the others from the third car passed us on their way down.  At this point George and I realised that we had not been passed by all the guys from car one. We later found out that they had got a bit lost on the descent due to bad weather and missed where the Miners’s Track splits and so had instead returned via the Pig Track.

George and I trudged on. Finally, at 4-10pm – 23 hours and 10 minutes since the challenge had started – we both reached the top of Snowdon. To mark the occasion, I risked my SLR once more for George to take a photo of me. Things were so bad the autofocus simply could not lock on on. As you can see, I’m still smiling though! This was not a great day to see panoramic vistas across Wales from the country’s highest peak…

There were only a couple other people at the top, which contrasted greatly with the numbers we had seen at the tops of the previous two mountains. After a very short rest, we headed back down again.

If things were bad on the way up, they were simply crap on the way down. Now the time pressure was off, our priority was simply to get down without injury. By now the wind was gusting upto 80mph (according to the BBC later), and the cloud had descended almost to the lake at the base of the steep part of the track. We saw hardly anyone now, and had to be careful with our navigation as you could not rely on seeing where others had gone. The track was mostly unrecognisable from the ascent as more and more streams and little waterfalls transformed the surroundings.

Completion of the steep descent from the ridge to the lake was when we could start to relax. Our knees no longer were so stressed, and the danger of slipping on rocks on a steep slope passed. From here we just plodded along the much flatter part of the track. It seemed to go on forever. With about half a mile to go we saw in the distance  our driver who had set out to try and find us. The rest of the guys in the car had got down a long time ago and they were concerned for our safety, particularly as hardly any other walkers were coming off the mountain by now. Paul decided he was going to walk for a mile or so up the track, and then call for help if there was no sign. Luckily, that was not needed after all. He informed us that the fourth and fifth cars had decided not to even attempt Snowdon because of the atrocious conditions combined with the lateness of the day. This was definitely a wise decision – going up and down again as night fell would not be fun, and for largely inexperienced walkers likely to be dangerous too. See part three for more on the decisions made back at Scafell that contributed to the abandonment of their attempt.

At long last the three of us returned to the car park at 7-30pm. Two of us were wet through, tired, aching, but chuffed to hell we had managed it. After a change into dry clothes, we drove off to the Holiday Inn in Wrexham to meet up for a few well-earned beers with the rest of the team.

Post-challenge refreshments

It’s all over

Well, I did it. Whether anyone reads this far or not, who knows! Hopefully you’ve found it interesting. It was one of the toughest things I’ve done for a long time. But good preparation, training and kit improved my chances and kept me injury free. The super-strength pain killers I was prescribed on the way up Scafell almost certainly made the difference between success and painful failure. While not making my knee normal, sufficient edge was taken off what was agony so that I could carry on.

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This is the first of two articles on the challenge, describing what it is and how we went about it. Part Two will go into the experience itself.

So what exactly is the 3 Peaks Challenge?

View from Whernside

Rather confusingly, there are at least two of them. Firstly there’s the Yorkshire 3 Peaks challenge, which is a single walk covering the three highest peaks in the Yorkshire Dales – Whernside (728m), Ingleborough (723m), and Pen-y-Ghent (691m) – over 12 hours covering a distance of 25 miles. That’s not the one I did, although I did do Whernside last year – there are a couple of photos from that walk on this site that I use for the random header image (e.g. the Ribblesdale viaduct).

So the challenge I attempted is the National 3 Peaks Challenge, which as mentioned earlier covers the three highest peaks in mainland UK within a 24 hour period. One of the things that makes it tough is the distance between each one: 260 miles from Ben Nevis to Scafell, and a further 200 miles from there to Snowdon in Wales. And that’s on top of the travelling to the Highlands of Scotland just to make the start line. There is some debate as to whether the 24 hour target is from base of Ben Nevis to the return to the base of Snowdon, or whether it is base to peak. The club decided to choose the latter, although I was hoping to do the first target too. The bravado of assuming it will be easy and you will hit your target before you even attempt the first one was put in to stark relief when, after going up Ben Nevis you pretty quickly change your aspiration to just finishing and time be damned.

I created a Google Map of the challenge, which you can find by clicking this link. This shows the walking routes we took. I left off the road routes as it generates too much data for Google Maps to handle properly on a single map.

How we did it

Pretty much the whole of Long Eaton Roundtable membership participated in one way or another, as this was our major charity fund raising activity for the year. After a few last minute drop-outs we ended up with twenty of us doing the walking, and another five doing the driving. A tip to anyone attempting this challenge – try as hard as you can to get a dedicated driver. It makes a huge difference to the enjoyment of the event but more importantly vastly increases your chances of survival! Driving such long distances after strenuous walk and with no sleep for a couple of days could put you up for a Darwin Award!

Our sponsored support vehicle. Cracking stickers!

We had five vehicles, four of which were normal people-carriers. The fifth was a van that looked like the A-Team used it – lots of space to haul gear, and an uncomfortable bench seat for three in the back. Guess which one I was in for the long drive to Fort William….

Our vehicles - 'A-Team' van on the right

The idea was that everyone would set off walking at the same time, which we set as 5pm on the Friday afternoon. While the walkers yomped up and down, the drivers would prepare food, grab some kip, and have everything ready to give a quick feed to the returning walkers before hitting the road.  Each vehicle would set off when full, so the faster guys would not be slowed down waiting for the slower ones to return. For such a large group of walkers this worked well, apart from a slight misjudgement at the end which I’ll come to later (in Part Two).

Food at each base camp was pretty basic – soup and pasta, plus an enormous number of energy grain bars. The drivers also mixed up large quantities of Rego, which is an energy and restorative drink that was recommended by various people. Personally, I tried the Rego once, and decided that was enough so I stuck with water and Lucozade Sports as my main drinks.

A key factor in succeeding to do all three peaks in the 24 hour period is the amount of time spent at the bottom of the first two peaks getting sorted for the journey to the next. Faffing around here can easily cost you valuable travelling time that you can’t get back. So on getting down you had to change, sort your feet out, get some food and drink inside you, and get as much preparation done as possible so you can pretty much hop out of the car and start walking straight away. In theory our use of five separate vehicles should have made this much easier.

The overall plan for the weekend was:

1. Travel up on Friday from Long Eaton (Nottinghamshire) to Fort William, a total drive of around 400 miles. Some of us chose to drive up to about half way and stop in a hotel near Penrith on Thursday evening. The others got up at the crack of dawn and joined us mid-morning. We then travelled up in convoy from there.
2. Arrive in Fort William mid-afternoon.
3. After a supply stop in Fort William, get to trailhead for Ben Nevis sometime after 4pm.
4. Start walking at 5pm, which marked the start of the 24 hour period.
5. Drive through the night to Scafell, aiming to start walking it around dawn on Saturday.
6. Get to Snowdon early afternoon, aiming to reach the peak before 5pm.
7. All off to a hotel in Wrexham for a clean, a meal, and a few beers.
8. Home again on Sunday.

As you can see in the next photo, we had a slight logistical problem with one of the vehicles, whose driver assumed filling stations were as dense on the ground as they are in more populated parts of the country.

Oops.

See Part Two for the story of the hikes and transits between mountains.

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Flickrvision in 3D mode

You can go straight to the 3D version by clicking this link. There’s no need to install anything – just click & go. To switch to the Googlemap version, just press the “Classic View” button that appears on the screen. It is a great page to just leave open on your desktop, especially if like me you have a two screen set-up.

A game you could play would be to upload photos to Flickr and watch to see if they appear on the globe. Have your favourite screen grabber tool at the ready…

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Just a quick note to describe some recent changes to this site.

I’ve changed the template from the attractive but not easily configurable “Feather” theme to Chris Pearson’s “Cutline 3 column” one. The initial advantage of this was it was easy to set up my own header images to be my own photos rather than someone else’s. All the headers are my own.

While it was nice to have each individual page type (posts, archives, pages, about etc) have their own header image, Chris posted a simple mod to the header PHP file that randomly selects an image from a set. Every time you visit the site or refresh a page you’ll get a different header. I intend updating the image set as often as I can. If you read further down this post I have described the header images currently in use.

But there have been more changes than this.

I have also updated to the latest 2.5.1 version of WordPress – I was at 2.2 previously. The update was easy to do, so kudos to the authors of the program to make it idiot proof.

The cool new feature of 2.5.1 that I could use was widgets – the bits you see on the side panels. While they did exist in 2.2, they are much better and easier to set up with the newer version. I may have gone a bit widget mad, though. Here’s what you can currently see:

• Flickr sidebar – I’m turning into a massive fan of Flickr, and this widget lets me show an image selection.
• PicLens Slideshow – The Piclens plugin is worthy of a whole post of its own. It is simply a stunningly good plugin for Internet Explorer and Firefox that provides a fantastic way of browsing image libraries. The dynamic mini-slideshow adds a nice touch to any blog, and by default just cycles through all the images in the blog. It should let you point it at a Flickr feed too, but I can’t get this working. There’s a support query in with the authors, but nothing back yet. Once this is fixed, though, then I can get rid of the Flickr sidebar.
• Site Vistor Cluster maps – not actually a dedicated widget, but rather simply a bit of HTML in a generic text widget. This shows a map of where in the world people are who have been reading this blog. See the Cluster Map homepage for more information. It’s really easy to set up.

The plugins I have currently installed are:

• Akismet comment anti-spam – I wish I had this earlier. The most popular post on this blog is the one about streamlining your PC for games, but it keeps getting spammed. Since installing Akismet, however, I’ve not had to deal with idiotic comments advertising various unsavoury products.
• Flickr Photo Gallery – provides a neat link between images on Flickr and blog posts.
• Google Maps for WordPress – already described in an earlier post.
• WP Piclens – Provides a direct link to the Piclens image browser from any picture on the blog

Header Images – updated 24th May 2008

Here is the current set of header images along with descriptions of where they are from. Click on any of them to see bigger versions in Flickr – or just keep hitting different pages in this site until they get randomly selected:

	No prizes for guessing! A scan of a photo taken in 2003 while on holiday in Australia.
	Harbour of Roscoff in Brittany, France. Taken in 2007.
	Photo-stitch of 4 images taken from the top of Mount Stinson in New Hampshire, USA in 2004.
	Ribblesdale viaduct in the Yorkshire Peaks.
	View from a walk in Yorksire Peaks near Ribblesdale viaduct, on the way down from Whernside.
	View of, I think, rapeseed field. Taken near Darley Abbey in Notts.
	Photo-stich of four images, taken from Mount Major in New Hampshire.
	Pebbles on a beach in Sidmouth, Devon.
	Canal Lock, converted to black & white as a post process.
	Darling Harbour, Sidney Australia.

All these images are also geo-tagged in Flickr, so if you do click on them to see in Flickr you can access a map of the exact location they were taken. This is a neat example of the integration of online albums, blogs, and mapping – all for free!

To fit nicely with the Cutline theme, these images have to be long and thin at 970×140 pixels. Luckily this is easy to do in Photoshop – just set the custom crop size to 970×140, and interactively select the area wanted. The challenge is in finding sections of images of this aspect ratio that are good and/or interesting in some way. I make no claims to being successful in either of these aims for all of the images. But, as mentioned earlier, I will periodically update the image set.

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While out walking one chilly morning in Attenborough nature reserve I spotted this Robin. Luckily for me he was in posing mood and I managed to get pretty close with my 200mm lens. The image is uncropped – I got within just a few feet of him.

I got some nice comments on the image from the people over at Flickr.com, and thought it worthwhile to post here too (see the links panel for more of my pictures on Flickr). I’ve also recently been getting into Flickr a lot, and this was an opportunity to link my gallery straight to this blog for a bit of a test. Regular readers will have noticed that at long last I have chosen a different theme – the header images are all mine, although I plan on randomising the set to add a bit of variety.

Hopefully this hooking together of online galleries and WordPress means I can keep my earlier promise of updating this site more frequently.

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